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Trump, Evangelicals, and the Road Ahead –


Pretty in Pink: Rethinking Elle Woods

Not long ago I replied to someone’s comment with a: “So I have to like what mens like to pretend I’m inteligent and/or independent enough?” Silence followed.
Very good article… very good references.

The opening sequence of Legally Blonde is all pink products and blond hair. We cut between scenes of college and sorority life – a girl being catcalled by frat guys as she bikes past their house, girls in pink workout gear on treadmills, those Tiffany’s heart bracelets everywhere – and Reese Witherspoon’s silky hair and perfectly manicured hands surrounded by beauty-products and markers of traditionally recognizable, material femininity: Herbal Essences “True Color” Blonde hair-dye; nail polishes; dried roses on a stack of Cosmopolitans; a Homecoming Queen banner; a lovingly decorated “President” sorority paddle. Everything that could be pink is pink, from the bedspread, to the glitter pens used to write on a pink card in a pink envelope, to the doggy-sweater for Bruiser, Elle Wood’s chic Chihuahua.

Just four minutes into the movie, a salesgirl sizes Elle up the way many viewers – my thirteen year-old self included –…

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Me = I = Balanced

I can relate to this.

A Word about Me


Ultimately I have achieved a balance.

So many times I have wished in my life to run away from what I was, towards what I wanted to be.

Never existing on this earth,  Always trying to touch the extremes.

Sometimes, trying to touch the heights up to the infinity and sometime, reaching the depth up to end of this matter.

But, finally I realized, I was neither a bird to touch the skies, nor a fish to flow in the deep.

I was a human !!!

And I had to achieve the balance to stay on this Earth, among other humans.

It was a long journey but finally it ended or may be not, or may be a new one started.

Its like a War, everyday you fight it, to prepare yourself for the next. No matter, you win or you loose, you fight.

And you have to until you are defeated by…

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Why I’m Not “Good People”

Totally agree.

Jenny's Library

I’m not a nice person.

I’m not a good person.

I’m not a kind person.

This isn’t to say that I don’t ever try to be any of these three things.  I do, especially the last two.

It’s more to say that, for me, surviving in this cissexist, racist, ableist, heteronormative, classist, often fucked up world of ours has involved rejecting the idea that “good” and “bad” are static states of being.  I will never be a “good person” because, to me, “good” is not something that you achieve.  It’s an ongoing process that never ends.

It is, in fact, almost impossible not to be doing bad things as well as good when you are human and therefore flawed.  Especially when you are part of a messed up system, as we all are.

This, to me, is why it’s important to call out bad behavior, or hurtful language, or even…

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Taking the Slow Road: An Interview with Author Katherine Heiny


Sari Botton | Longreads | February 2015 | 14 minutes (3,683 words)

Ed. note: Katherine Heiny will be in conversation with Sari Botton at McNally Jackson in New York on Wednesday, Feb. 11 at 7 p.m.

* * *

In the fall of 1992, I found myself very much affected by “How to Give the Wrong Impression,” a short story in the September 21 issue of The New Yorker about a twentysomething psych grad student who’s trying hard to seem satisfied keeping things platonic between her and her handsome roommate.

To begin with, I had a lot in common with the protagonist, more than I’d have wanted to admit at the time. I was in my twenties, too—27 to be exact—newly divorced from the second person I’d ever so much as dated, and most importantly, I was very busy trying to seem satisfied keeping things platonic with a rakish “friend.”…

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Gabriel García Márquez on the Solitude of Writers and Dictators


In the winter of 1981 Peter H. Stone interviewed Gabriel García Márquez for The Paris Review. The interview took place over three afternoons in the studio behind García Márquez’s home in Mexico. Although García Márquez’s English is “quite good,” he spoke mostly in Spanish, with his two sons translating. Below is an excerpt from The Art of Fiction No. 69:


You often use the theme of the solitude of power.


The more power you have, the harder it is to know who is lying to you and who is not. When you reach absolute power, there is no contact with reality, and that’s the worst kind of solitude there can be. A very powerful person, a dictator, is surrounded by interests and people whose final aim is to isolate him from reality; everything is in concert to isolate him.


What about the solitude of the writer? Is…

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Why I am not Charlie

a paper bird

imagesThere is no “but” about what happened at Charlie Hebdo yesterday. Some people published some cartoons, and some other people killed them for it.  Words and pictures can be beautiful or vile, pleasing or enraging, inspiring or offensive; but they exist on a different plane from physical violence, whether you want to call that plane spirit or imagination or culture, and to meet them with violence is an offense against the spirit and imagination and culture that distinguish humans. Nothing mitigates this monstrosity. There will be time to analyze why the killers did it, time to parse their backgrounds, their ideologies, their beliefs, time for sociologists and psychologists to add to understanding. There will be explanations, and the explanations will be important, but explanations aren’t the same as excuses. Words don’t kill, they must not be met by killing, and they will not make the killers’ culpability go away.

To abhor what was done to the victims, though, is not…

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